Liturgy
PSALMS
BOOK I
———————–
I. ROYALTY
-YS ATUN VRAMA PRESH-
-THE SEVEN SYLLABLES OF ROYALTY-
1. YISUN said: let there not be a genesis, for beginnings are false and I am a consummate liar.
2. The full of it is this – the circular suicide of God is the perfection of matter.
3. YISUN lied once and said they had nine hundred and ninety nine thousand names. This is true, but it is also a barefaced lie. The true name of God is I.
4. Living is an exercise of violence. Exercise of violence is the fate of living
5. Violence is circular. Perception is not circular and lacks flawlessness- therefore, rejoice in imperfect things, for their rareness is not lacking!
6. Love of self is the true exercise of the God called I.
7. Only an idiot cannot place his absolute certainty in paradoxes. The divine suicide is a perfect paradox. A man cannot exist without paradox – that is the full of it.
II.
THE KING IN THE TOWER
1. YISUN is the supreme king. It is impossible for YISUN to have any rivals – you will see this. YISUN does not aspire to royalty: YISUN is the two-syllable name of the seven syllable name of royalty revealed. Only those who can invert a path can know the secret name of YISUN.
2. It was once said that YISUN had many names. This is true, but all of them are false save the name YISUN, which in itself is a paradox.
3. YISUN is the weakest thing there is and the smallest crawling thing, and the worm upon the earth and in the earth.
4. YISUN is capable of contemplating nothing.
5. To speak general truths about YISUN is to lie intimately; in truth one must learn the tongues but the matter remains that YISUN is the unparalleled master of the fundamental art of lying. The best practice of lying is self deception.
6. YISUN once said: ‘Selfish tongues revolt and refuse to invert the contents of their brains – even if it were a lie, this insurrection of our flesh would do us great offense.’
7. YISUN is the untouchable and prime master of all seven syllables of royalty and once told four lies.
i. The lie of the giant and the ant
ii. The lie of the iron plum
iii. The lie of the water house
iv. The lie of the small light
III.
THE GRAND ENEMY CALLED I
———————–
i. The lie of the giant and the ant.
YISUN sat once with his disciple Hansa in YISUN’s second clockwise glass palace. Hansa was one of his most ardent students and a grand questioner of YISUN. Unlike Yisun’s other disciple, Pree Ashma, he had no hunger in his heart for dominion of the universe, but a miserly scrutiny and a heart of iron nails. He was not an aspirant for royalty, and thereby attained it through little effort.
Hansa’s questions were thus:
‘Lord, how must I question space?’
‘With an age, an ant may encircle a giant five million times,’ spoke YISUN.
‘Lord, how then may I question time?’
‘A giant’s stride takes an ant a week to surpass.’ YISUN spoke and smiled in the 4th way.
Hansa was discontent with this answer and rubbed the stem of his long and worn pipe which he always kept with him and would eventually lead to his annihilation. Since he was royalty, he knew this, and kept it close to him as a reminder of his circular death.
‘Lord, then which should I be, the giant or the ant?’
‘Both,’ spoke YISUN,’ or either, when it suits you. Destroy the grand enemy called ‘I’.’
Hansa contemplated this in silence. Later he would recount this proverb to his daughter.
———————–
ii. The lie of the iron plum
There was once a king named UN-Payam who sat at the right hand of YISUN’s throne and ruled a palace of burnished gold and fire and dispensed justice in all things. It was let known once that Payam had grown an extraordinary plum – enormous in size, with adamant skin that was burnished as a breastplate and fifty times as hardy. Payam was desirous of a pillow friend of fiery heart and excellent skill with their mouth and let know that whosoever could break the skin of that plum with their teeth he would swear to share his bed with for three nights in whatever disposition they may desire.
Many gods were in attendance at Payam’s hall on the first day, and even more on the second day, but by the third day of this strange contest few remained who had not tested their mettle, for the plum remained implacable and immaculate and turned many away with sore teeth and roiling frustration in their brains. A great cry rose up and YISUN was called forth from the twenty third clockwise palace of carbon where YISUN had been meditating on the point of a thirty acre long spear of crystallized time. In companionship with YISUN was Hansa, who followed along.
“See this Payam!” cried the gods, “He deceives us! He cruelly abuses our lustful hearts!”
YISUN was very fond of plums and immediately grasped the iron plum and took a long, succulent bite, praising its merits to the amazement of all.
“How!” wailed the attended.
“Why, it is a plum of flesh, and quite ripe as well,” said YISUN plainly, and indeed, it was apparent to those gathered that it was the case. The plum was passed around and touched and indeed it was sensual and soft and pliant. Hansa was not so convinced. “It is still a plum of iron,” said he, “there is some trickery here, oh master of masters.”
“Indeed, it is so,” said YISUN, and it was again apparent to those gathered that the flesh of that plum was as hard and impermeable as a fortress. “How can it be so?” said Hansa, “How comes this fickle nature? Plums and the fifty winds are not so alike I think.”
YISUN said, “I told you of this and, believing it, it was so. In truth, it is whichever you prefer. In truth, there is no plum at all, just as there is no YISUN. A plum has no shape, form, or color at all, in truth, but these are all things I find pleasing about it. A plum has no taste at all for it has no flesh or substance, but I find its sweetness intoxicating. A plum is a thing that does not exist. But it is my favorite fruit.”
“A pipe is a thing that does exist, and it is my favorite past time,” said Hansa, lacking understanding, and growing in cynicism.
“What a paradox!” said YISUN, smiling, “I shall share my love tenderly with Payam.”
———————–
iii. The lie of the water house
YISUN and Hansa walked the king’s road once, drinking plum wine. They were enfleshed as maidens at the time, for boastful, drunken Ogam swore on his high seat at the speaking house that any feat accomplished by his brothers he could redouble seven times again. Hansa, of crafty mind, and bearing little love for a brother whose raucous singing frequently interrupted his philosophical fugues, immediately saw an opportunity to deprive Ogam of his prized and well-boasted-about manhood for a fortnight, and challenged him to a contest of womanly love-making, sewing, and hearth sweeping, and for a time there was great mirth in the Red City.
“Dearest Un-Hansa,” spoke YISUN, after a moment, as they strolled along an expanse of fractal glass and cold fire, “Art thou not flesh of my self love? Springst thou not from my recursive womb?”
“Sprung I from your brow, for it is my lot in life to beat my hands against it in return for ejecting me,” said Hansa, in jest, but in truth he listened.
“Knowst thou the meaning of my name Y-S-U-N is the true name of sovereignty?” spoke YISUN plainly.
” I do,” spoke Hansa, for it was true.
YISUN then assumed a speaking form that was bright and very cold, from her breath she inhaled the void, and when she exhaled, beautiful water came forth from her pliant lips in great rushing gasps, and there was a sound like a clear bell that meant emptiness. Hansa was very moved by this display and watched as the shining water curved and bent upon itself and crystallized, and suddenly before the pair was a great, beautiful house, translucent and all filled with light of many colors.
“Observe my work,” said YISUN, pleased.
“It is an astounding work,” said Hansa, clearly impressed. They strode inside the house at YISUN’s bidding. The walls were clear and smooth as crystal, and warm to the touch. It had a wide hall, and a full hearth, and was full of light and air, and the openness of the place with the starkness of the void was incredibly pleasing. Hansa would have given half his lordship for such a house, in truth, for his own was a dark and cramped tomb of iron and dust.
“Observe again,” said YISUN, with a keen eye. Hansa did, and as he looked closer, he saw the walls, the floor, the vaulted roof, the wall coverings, and even the altar with the flowers in the visiting hall were all made of water – water as clear and still and solid as smooth and perfect glass.
“Water, lord?” spoke Hansa, sensing some purpose.
“What,” spoke YISUN playfully, “is the meaning of this allegory?”
They reposed for a while as Hansa thought, in the resting hall of that great water house, and gazed through the shining rim of that house across the great void, where the empty sky was perfect in its nothingness. The house rung gently like a bell and it was pleasing to Hansa as he sat in his woman’s flesh and thought.
After a while, he said this:
“The house is a man’s life.”
“Why this?” answered YISUN, as was the fashion.
“Because although it is very beautiful and filled with many fine things, it is only water, after all. It would be poor to rely on its existence – it is only water pretending to be a house. In truth, there is no real house here at all, just as there is no Hansa, or no plums.”
“This is a good answer,” said YISUN, and made a small motion with her long white fingers, and smiled.
“It is an infuriating answer,” said Hansa, his mood darkening, and his borrowed brow furrowing, “As is common with you. How can one grant themselves the pleasure to enjoy such a fine thing? It sparkles and shines like a gorgeous jewel, but its sparkle is an intimate falsehood.”
“Death is my gift to you,” spoke YISUN in reply.
“What’s the point,” spoke Hansa, bitterly,”Of such a fine house, if it is only a lie? What is the point of Hansa, if Hansa is only a lie?”
“I am a fine liar,” spoke YISUN in reply.
Hansa was silent a moment.
“It is a beautiful house,” he admitted, after some time, “It is a beautiful lie.”
“Our self-realization is the most beautiful lie there is. I am the most conceited and prime liar. Lies are the enemy of stagnation and my self-salvation. How could we appreciate the shining beauty of my house of lies,” spoke YISUN, arching her supple back, “if there was always such a house? How could we appreciate Hansa if there was always such a Hansa?”
They sat in stillness a while longer.
“In truth, we would get very bored,” said Hansa, after a while.
“In truth, we would,” said YISUN.
———————–
iv. The lie of the small light
Hansa was of sound mind and proud soul and only once asked YISUN a conceited question, when he was very old and his bones were set about with dust and bent with age. It was about his own death.
“Lord,” said Hansa, allowing a doubt to blossom, “What is ending?”
It was said later he regretted this question but none could confirm the suspicion.
“Ending is a small light in a vast cavern growing dim,” said YISUN, plainly, as was the manner.
“When the light goes out, what will happen to the cavern?”
“It and the universe will cease to exist, for how can we see anything without any light, no matter how small?” said YISUN. Hansa was somewhat dismayed, but sensed a lesson, as was the manner.
“Darkness is the natural state of caverns,” said he, vexingly, “if I were a cavern, I would be glad to be rid of the pest of light and exist obstinately anyway!”
“Hansa is observant,” said YISUN.
This sounds interesting, just not quite clear. Did you write this or is it from a religion or something? From which religions are you getting inspired for writing this story?
These are the seven principles of universal royalty. They are the seven words that YS UN spoke upon committing suicide.
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This is a very cunning twist of Taoist beliefs, mixed in with the story telling and pantheon of Hinduism. If you would like some insight into the inspiration behind this then I would suggest reading the Tao Te Ching, by Lao Tsu.
A seriously excellent comic, Abaddon. It calls to something that everyone innately knows to be true.
is there christian influence, like in use of “angels” and “devils”, or are those just words from most any religion that happen to coincide with christianity too? it’s hard to tell how many different religions Abbadon draws from
“Diabolos” meaning “devil” is from Latin, so possibly originating in Christianity, but evil spirits are in many many spiritual beliefs. Judaism has sheydim, which would predate the Christian concept of demons. Zoroastrianism has angels and predates Judaism and Christianity. The idea of “hell” is definitely from Christianity, though underworlds definitely existed before that.
Hel was the entity that ruled the afterlife in Norse Mythology, She was half skeletal and rotted and half a beautiful maiden. Depending on how you lived your life, considering you are normal person, farmer or tradesman, not a warrior, you would end up in one of her two realms. One realm being a glorious and pleasant place to live out eternity or a dreadful and dark place, depending on whether you were lived rightly or lived wrongly.
I personally believe that “HELL” is a concept that predates christianity, it’s just another underworld.
the problem with citing Hel is that the records of Norse Mythology we have come from several centuries after Scandinavia was christianized, so we have lost much of the original integrity of the mythos to Christian influence.
That may be true, but the “Hell” as we imagine it to this day is an appropriation of Dante’s work. The original concepts of Hell in older views of the Christian mythos came from the Greek’s Hades and Hebrew’s Sheol mainly, though I’m no expert.
But I can at least say that Old Norse’s mythology might have influenced Christianity’s mythology as much as the other way around.
As for”Demons” and “Angels”, they were not invented by Christians, and the visions we have today of those are mainly from Dante’s writings, dating from the 14th century.
The seventh syllable is Truth Indeed, but truly I am a fool, for my words now are: is a man without paradox an impossibility, or a paradox himself?
This question was asked of YISUN once by Varim Ashta, a wise man and unstoppable master of the white astral flame, lord-conqueror of thirty four dimensions and ruler of 78 billion souls. From his iron fortress Varim bade his servants summon YISUN from their seat at the center of the Omniverse, where the spoken question was then posed.
YISUN was perplexed by this question and could not answer. Varim Ashta would have been astounded with glee at his profound victory over the master of creation, but at the moment of YISUN’S hesitation, Pavreem Varim Ashta, demigod and slaver of thirty million worlds suddenly discovered he had actually been a plum tree all along.
This humble student will admit to wondering how this sapling sprouts from his head–it seems to have been here a good while already.
But perhaps it is best not to dwell further on such matters.
But then Varim Pavreem decided not to care that he was actually a plum tree and went on with his day. After all plum tree or not he was still able to conquer thirty four dimensions, which made him the third greatest conquering plum tree that he new of.
Being the most fervent worshiper and most stark opponent of the 7th syllable of royalty that I can never be, I abide in a place that I have never stepped foot in, where I compose destroyed works of secular faith. I ask of thee a statement: if one were to fulfill and forsake an unlived life of explainable paradox, would this person regretfully welcome sinful divinity or holy destitution?
Your words become you well–or truly, at the least. This humble novice has no use for the dancing words and semantic mirages of detracting disciples–it is a great shame to admit, but this one can make neither sense nor folly of your discipline, and if not sense nor folly why, what is a thought?
Why ask such a thing? Is one ever greater than the other? Instead, move ever forward not knowing what lies at the end of the road.
Why not both?
Sanity is overrated, so i have made it impossible, by defining it as a normality of imagination. This is impossible, as imagination is only the paranormal, because if it is not imagination it is normal, and so knowledge, as it is natural. You must be inside the box to imagine yourself out, and destroy the grand enemy called I.
I am crazy if i believe i am sane, so i remember i am crazy to retain my sanity, and i ignore i do this to restore my peace of mind
Tartarian logos abounds in this glyphsphere.
Hey, just wanted to tell you that your comic is absolutely outstanding, very very cool and yer very talented
‘The formulas of proper Velothi magic continue in ancient tradition, but that virility is dead, by which I mean at least replaced. Truth owes its medicinal nature to the establishment of the myth of justice. Its curative properties it likewise owes to the concept of sacrifice. Princes, chiefs, and angels all subscribe to the same notion. Color me impressed, muthsera.
I heard once from a man who claimed to be wise that YISUN is not a consummate liar because he has only ever told one lie, and all else YISUN has uttered is but that same lie said a different way. When I asked, in my professed ignorance, what this single lie was, he replied thusly: “YISUN’s oft-repeated lie is that there exists any difference between truth and lies, for truly they are one and the same.” Being neither wise nor foolish enough to perceive any truth or falsehood in his words (or perhaps being too wise or too foolish, I can never be certain within such a domain as this), I ask those here assembled, or those who may later assemble here, what there is, if anything, in his words?
A lie, simply enough. To speak that lie is to mark out the truth, and we are far too wise to find truth in YISUN.
Best web comic ever, and it’s not even close. Do you ever do commissioned artwork?
If even self-realization is a lie, and we do not truly exist because to exist is to be forever and we are creatures whose only innate gift is that we might die, then is destruction not the only proper form of worship, as that is as close as things that are not us can get to death?
only idiots kill with direct violence
And only wise fools live with a peacefull lie
To lie is to dream, the dreamer and liar are connected with traversal of unknown direction. Truth leads only to paradox, as does the lie, but to take artistic license with the world is the path to Royality. This comment is a lie.
It seems this “YISUN” guy aquired CHIM and is now dancing atop the Tower called “I.”
A lie is an answer all the same. It’s truth or falsehood is no great thing; in fact, it is negligible compared to the lie. For truth or falsehood lies in the perception of it, and it is with imperfect perception we find our circular deaths. If death is also a lie, within which perception is imperfect, we find ourselves at death paradoxically at the same moment as life. Thus the circular nature of our death is revealed and we are set free of fear for it.
In all the 7,777,777 worlds since the rise of the demiurges are there any who understand: the chains of truth, the shackles of lies, and paradox.
YISUN must be a liar, for no one can speak the truth. Not even Yisun.
I realize this might just be another paradox, to question which is to miss all point, yet being the impertinent whelp i am, i ask nonetheless:
If the creation of any entities was a product of the Divine Suicide, how did all these interactions between Y-N and other entities (students etc) take place?
And if Y-N can manifest despite being dead and divided – how then is Throne vacant of its prime master?
All of existence is called the wheel, and for reason as wheels turn. At times the pass where they have been and are oft to remember what once was there.
I love this!
This is a very good poetic examination of the “there are no such things as objective reality and objective meaning” philosophy, and YISUN is a passable personification of it.
I especially love these lines:
“YISUN is the weakest thing there is and the smallest crawling thing, and the worm upon the earth and in the earth.
YISUN is capable of contemplating nothing.”
and
” ‘In truth, we would get very bored,’ said Hansa, after a while.
“In truth, we would,” said YISUN.”
Very sharp.
I think the Liturgy (roughly) matches the structure and meaning(s) of the story.
I think YS ATUN VRAMA PRESH or Glory Tower Flame Diamond Blade Mind Beast fit well with the Liturgy in the order given.
I. Royalty pertains to the bearer of the word Glory
II. The King in the Tower pertains to the bearer of the word Tower
i. The lie of the giant and the ant pertains to the bearer of the word Flame
ii. The lie of the iron plum pertains to the bearer of the word Diamond
iii. The lie of the water house pertains to (who I think is) the bearer of the word Blade
iv. The lie of the small light pertains to (who I think is) the bearer of the word Mind
and I’ve got a guess for the bearer of the word Beast
I didn’t want to add any spoilers so I kept the details low.
also I checked the appearances of bearers in the story and their face to face interaction with the protagonist and I found the bearer of the word Flame shows up before EVERY encounter with every other bearer and the protagonist. That was a nice detail I never caught before.
It is said that Death is a gift, that Mortality grants more meaning to life than the immortality of the Gods.
And yet, it seems to this fool, that Death is as much an Eraser of Meaning as Eternity.
For it appears all meaning is anchored to the mind, like a flame to its fuel, to sputter out when the fuel is consumed.
Everything a mortal may possibly care about or strive for, if not accomplish, dies with them.
Inevitably, the mortal ceases to shine the light of meaning on its surroundings.
Thus, whether through the linear or circular eternity of the Gods, or through mortal annihilation, stagnation awaits. Meaninglessness (or perhaps boredom?) is more fundamental to existence and nonexistence than even violence. (this fool speculates that YISUN committed Holy Suicide to distract themself from this truth)
It is for these reasons that this idiot clod of mortal flesh-filth supposes immortality to be the superior state, for a meaningless infinite dance of perception, pleasure and pain all, seems preferable to a meaningless infinite oblivion following a much shorter, perhaps more intense, but still meaningless, dance of perception.
For if an Immortal should grow unsatisfied with existence, let them dash the memories from their skull with the nearest large rock or bottle of potent spirits, and make all of Creation new again!
But the memories and instincts and indeed, very fundamentals of that Immortal will still remain when all their memory is gone. People grow and change with time, and not even amnesia can fully erase what they have become, thus they can never fully become new except perhaps in death.
Thanks for sharing this very emotional story You never know whenever I read this I am so crying.
/chai and the legend of the ten ring.
Great post.
Great post.
Great post.
Great post.
Great post.
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